Valley of the Mastodons – Final post: Related articles

Putting a reluctant end to the posts about the “Valley of the Mastodons,” below are articles related to the initial fossil discoveries by Kathleen Springer, Eric Scott and team, as well as the innovative museum- and exhibit-work done by those currently at the Western Science Center, headed by the remarkable Dr. Alton Dooley, jr.

(There are more articles in the works as I post this; I’ll add them after they’ve been published.)

 

Late Pleistocene large mammal fauna dynamics from inland Southern California: The Diamond Valley Lake local fauna, Kathleen Springer, Eric Scott, J. Christopher Sagebiel, Lyndon K. Murray, Quaternary International, 15 April 2010, Pages 256-265

Paper published after 7 years of excavation in the Diamond Valley Lake area and 3 years of research.

 

The SoCal Ice Age Fossil Treasure Trove You’ve Never Heard Of, by Brian Switek, KCET (kcet.org), May 11, 2016

An excellent introduction to the Western Science Center Museum, its fossils and a little of the history behind it.

 

Education and Outreach: Exhibiting the Scientific Process, by Brittney Stoneburg, Palaeontology Online, July 1, 2017

A fantastic behind-the-scenes look at the unique exhibit work done by those at the Western Science Center by Brittney Stoneburg, whose title doesn’t accurately cover the enormous work she contributes to the museum (much like everyone on staff there!)

 

 

 

Exploring the Valley of the Mastodon, by Jeanne Timmons, PLOS Paleo Community Blog, July 30, 2017

An introduction to the “Valley of the Mastodons” event, organizers and those attending.

 

Engaging the Public: The Experiment of the “Valley of the Mastodons” Workshop & Exhibit, by Jeanne Timmons, PLOS Paleo Community Blog, October 4, 2017

How one young visitor (Anja) was both impacted by and impacted those attending the “Valley of the Mastodons” workshop, as well as a look into how this workshop/exhibit worked to shorten the walls between researchers and the public.

Anja showing Dr. Ashley Leger her field notebook, in which she draws and records the fossils she finds!

 

Printing the Past:3D Printed Artifact Replicas Aid in Research, Education, by Dr. Bernard K. Means, 10 October 2017, R&D Magazine

A great look into how 3D printing broadens science and its applications to so many more people.  Digitizing fossils was done at “Valley of the Mastodons” by Dr. Bernard Means and Dr. Chris Widga.

 

How a newly-discovered mastodon jaw became a mammoth mystery, by Jeanne Timmons, The Guardian, Notes & Theories Blog, 13 September 2017

 

More information about the as-yet-unknown type of mastodon excavated at the Gray Fossil Site in Gray, Tennessee.  Dr. Chris Widga presented this mastodon at a talk during the “Valley of the Mastodons” workshop. Comments in the post by Dr. Chris Widga, Rachel Silverstein, and Michael Pasenko.

 

Screenshots from The Guardian post

 

 

A simple ‘thank you’ isn’t enough to the amazing staff at the Western Science Center and those behind the event itself.  The “Valley of the Mastodons” workshop/exhibit was not only a remarkable experience, it was a dream come true for me.  If you are ever in Southern California, stop by the Western Science Center; meet the people there.  You won’t regret it!

You can check out the museum here.

You can follow Dr. Alton Dooley, jr’s blog here.

You can follow any of these amazing people on Twitter:

  • @MaxMastodon
  • @WesternCenter
  • @AltonDooley
  • @BrittandBone
  • @DarlaRadford

 

You can follow the original discoverers of the Diamond Valley Lake Local Fauna on Twitter:

  • @kathspringer (Kathleen Springer)
  • @captainfossil (Eric Scott)

 

 

Advertisements

Valley of the Mastodons – final pictorial interlude

A final compilation of images and Twitter screenshots related to the “Valley of the Mastodons” workshop and exhibit!

KTLA anchor with Eric Scott and Kathleen Springer at the Western Science Center before filming for a TV spot about “Valley of the Mastodons.”  Notice the glassed display in the right corner: that’s where the fossils belonging to a mastodon nicknamed ‘Lil Stevie’ reside. They were taken out and studied during the workshop.


Brian Switek’s tweet picturing Eric Scott, Dr. Brett Dooley and Dr. Andrew McDonald (the new museum curator) taking Lil Stevie’s fossils out of the case for study.

 

Unsung hero Dr. Brett Dooley–who was responsible for extensive driving of paleos and writers to the museum and its events–and kind Dr. Andrew McDonald–newly hired museum curator who started work the week of the workshop!–removing Lil Stevie’s fossils.

 

The indefatigable Brittney Stoneburg–the Western Science Museum’s ‘Marketing and Events Specialist’–who made all of us feel at home and tended to a million details that ensured a marvelous experience and a smooth operation!

Another unsung hero: Darla Radford, Collections Manager at the Western Science Center!

 

 

Dr. Jeremy Green and Dr. Katy Smith taking measurements on one of Lil Stevie’s tusks.

Dr. Katy Smith measuring Lil Stevie’s fossils.

 

Brian Switek and Dr. Katy Smith

On the museum floor with visitors

Brian Switek and Dr. Ashley Leger on the museum floor

 

 

A great example of how Dr. Bernard Means (and often, Aubree, a student at the nearby Western Center Academy) digitalized fossils.

Pictures of Aubree, Dr. Bernard Means and Aubree’s dad, thanks to tweets by Dr. Bernard Means!

 

Dr. Chris Widga working on mastodon fossils, per a tweet from Dr. Bernard Means.

 

Victor de la Cruz, the Western Science Center’s Maintenance Technician, as he puts up the many white boards for the “Valley of the Mastodons” exhibit.

Some of the mastodon teeth and mandibles on display, pictures taken before glass was added and the exhibit was completed.

Dr. Alton Dooley, jr. with the Zygolophodon fossil on loan from the Alf Museum.

Kathleen Springer taking samples from a mastodon fossil to determine whether the black substance is carbon or manganese.

Dr. Chris Widga scanning the larger fossils for digitization.

Dr. Jeremy Green, PhD candidate Greg Smith and Michael Pasenko working on the mastodon nicknamed ‘Max.’

 

PhD candidate Greg Smith working on Max’s teeth.

Greg Smith and Dr. Jeremy Green working on Max. 

Greg Smith–remarkably patient and good-natured as I take yet another shot of him working on Max’s teeth. 

 

Dr. Alton Dooley, jr; Brittney Stoneburg; Max the Mastodon (mascot); Eric Scott; Dominic Cumo; Dr. Grant Zazula at the opening of the “Valley of the Mastodons” exhibit.

This is how I first learned of Dominic Cumo–through @MaxMastodon from #SVP2015!  It was an honor to meet him in person at the exhibit opening!!

 

Poet Christina Olson’s tweets; my favorite!

 

 


Images from my crappy cellphone: the view from my window as I left California at night and then the view as I arrived in NH at 10am the next morning.

 

 

 

 

 

 

 

 

 

Valley of the Mastodons – Part 2: Experimenting with an Exhibit

We could hear singing and playful shouting from the bus in front of us.  Those of us in the car behind them—a much smaller vehicle carrying an apparently more sedate group–looked at each other and started laughing.  We’d parked briefly at the edge of an enormous grapefruit orchard, its rows of trees mostly silhouettes and shadows against the moonlight.  A few people jumped out to pick grapefruit (someone knew the orchard owner; this was encouraged). And one person burst into a loud rendition of ‘O, Canada!’ somewhere in the darkness amongst the trees.

(Moon over cedars in Idyllwild–the view from my seat in the open-air seating of the Brew Pub we were visiting; image taken with my crappy cellphone)

Our jovial group was on its way back from a trip up in the mountains to Idyllwild, a beautiful little town that lived up to its name. Everything was quaint and rustic, nestled amongst giant cedars.  Getting there meant leaving the valley where the Western Science Center resides—a flat expanse of land—and then driving up narrow roads that twist as they go higher and loop back and up and around in ways that cause one to simultaneously appreciate the views and feel vaguely car-sick.

Along the way, Alton and Brett (Dooley) pointed out a specific plant dotting the landscape around us—one of the very plants depicted in the mural by paleoartist Brian Engh now hanging in the museum.

 

(The mural now hanging in the Western Science Center by Brian Engh; screenshot from his website: Dontmesswithdinosaurs.com)


(Screenshot of the lower right corner, highlighting the plant that still grows in the San Jacinto mountain area)

I knew his artwork was based on the fossil record of the Diamond Valley Lake Local Fauna, but I didn’t realize this plant existed today.  Something about that seemed marvelous to me: that here was a plant whose ancestors lived when Pleistocene animals roamed the area.  A species that survived when so many others didn’t; a connection to life thousands of years ago.

Brian’s mural depicts what might have occurred to Max, the nickname for the enormous mastodon at the Western Science Center, and only one part of the 689 mastodon fossils recovered by Kathleen Springer, Eric Scott and their team in the 1990s.  Injuries on Max’s jaw prompted Brian to research how modern bull elephants might receive similar wounds.  This depiction of two male mastodons engaged in combat–surrounded by plants, insects, birds and amphibians matching the fossil record of the area–is the result.

(Picture of Brian Engh with his original artwork in front of the mural at the Western Science Center, photo by Jeanne Timmons)

 

Twelve or so partial skeletons of mastodons went on display in the “Valley of the Mastodons” exhibit following the three-day workshop hosted by the museum. Many exhibits may have put the fossils into body displays—illustrating what each animal may have looked like as a complete skeleton.  The Western Science Center, however, kept the fossils in their jackets – offering visitors another peek into paleontological work.  Illustrations of a mastodon skeleton—the specific bones in that fossil jacket highlighted—appear above each fossil, along with where in Diamond Valley Lake it was found and what year.  Next to that, each fossil has a white board, where scientists at the workshop posed a question or highlighted their observations after studying the fossils.

 

 

(Images of one particular mastodon fossil still in its jacket, the display text above it detailing what part of mastodon anatomy is seen here and where it was found, and Kathleen Springer’s notes on it; photos by Jeanne Timmons)

 

 

(Images of a cast of Max’s skull and Dr. Alton Dooley jr’s notes on it; photos by Jeanne Timmons)

 

 

Just as visitors could ask paleontologists questions as they worked on the floor of the museum the days prior, paleontologists were available on opening night to answer questions anyone had while exploring the exhibit.

“I think it’s really fun to talk to ANYBODY about mastodons or paleontology,” Katy (Smith) explained in a phone interview prior to the event.

This sentiment seems to encapsulate the enthusiasm I witnessed by all of the scientists attending.

“’Valley of the Mastodons’ was a very new experience for me! I’ve been to lots of classic conferences, but never one that was this open to the community,” wrote Ashley (Leger) in an email. “I’ve also never put together a new exhibit during a conference!!  Having real-world paleontologists available to interact with museum-goers of all walks of life was really interesting!  I thought we got to meet a lot of wonderful folks, talk about things that interest us, and give them a whole new take on their museum.  Anyone can go to a museum and read the signage, but not everyone can ask a scientist a question and get an answer immediately.”

(Dr. Ashley Leger answering questions of a very engaged group of museum visitors on opening night of the exhibit; photo by Jeanne Timmons)

 

 

“I think what transpired on Aug 2-4, 2017 at the Western Science Center is just incredible,” Kathleen (Springer) wrote.

As mentioned earlier, Kathleen and Eric (Scott) lead a team of volunteers over 7 years of excavations in the Diamond Valley Lake area.  Before construction even began on the human-made reservoir, Kathleen maintained that fossils would be profuse at the depths they intended to dig.  This was in direct opposition to the view held by the paleontologist initially hired for the job. When digging began and bones began surfacing, however, Kathleen and her team were hired.

“The whole reason we have that collection in that museum is because she knows her geology,” Eric said in a phone interview.

“Throughout that project,” he continued, “Kathleen, and to some extent, I had to keep reminding them, ‘if you’re digging, you’re going to find [fossils].’ I don’t know [if] they didn’t want to hear it, but they had to keep being…” Here, he paused as if searching for the right word. “…encouraged. They just didn’t get the geology, even when she told them. They just kept thinking ‘this is a one-off. Or maybe a two-off.  But we can’t keep hitting this stuff, right?’ And the answer is: yes, you can.”

(Details of one of the mastodon fossils — in this case skull and tusk — in the exhibit.  None of these fossils have been on display since their discovery in the 1990s by Kathleen Springer, Eric Scott and team; photos by Jeanne Timmons.)

 

Understanding the amount of work and time Kathleen and Eric put into uncovering and caring for the 100,000 fossils now at the museum, as well as knowing that this Pleistocene treasure had been largely unstudied, Kathleen’s enthusiasm for the workshop and event is significant.

“An amazing assemblage of paleontologists came together to talk and study mastodons,” she wrote. “That combined with the ‘Valley of the Mastodons’ exhibit, and the public interaction that ensued, was just fantastic. So much collegial dialogue occurred during and has continued since.”

“I’m happy [the fossils are] in such a beautiful place,” she said, “and they’re curated so wonderfully.”

 

(Image of part of the exhibit space before it was open to the public and before most of the displays were hung; photo by Jeanne Timmons.)

Valley of the Mastodons (initial pictorial interlude)

Following my last post, I wanted to include some pictures of the “Valley of the Mastodons” workshop and exhibit, including tweets leading up to and during the event. (You can see a lot more on Twitter by searching on the hashtag #ValleyoftheMastodons — no Twitter account needed to do this.) These are just some highlights.

 

 

Kathleen Springer and Eric Scott – our heroes! – the two paleontologists who worked for a decade on the Diamond Valley Lake excavations (7 years of digging; 3 years of research), producing 100,000 fossils now housed in the Western Science Center. Their work not only populates the Hemet, CA museum, it also helped prompt the “Valley of the Mastodons” event – an opportunity for paleontologists to study these largely unstudied fossils (over 600 of which are mastodons!)

 

Dr. Brett Dooley doing research in advance of the event.

Below, the amazing staff at the Western Science Center get the exhibit space ready with an incredible mural done by Brian Engh.

 

Most of the event participants had connected in some way (by Twitter, by work or by research), but most of us hadn’t met in person.  Dr. Bernard K. Means (Virginia) and Dr. Grant Zazula (Yukon, Canada) were the first to arrive.

 

 

The rest of us trickled in throughout the next day or so.  At each layover, I checked Twitter–eager to see who had arrived, what was going on.

Taken upon my arrival at the airport in California, where the first person I met was Dr. Jeremy Green (Ohio) followed by Dr. Brett Dooley (Hemet, CA), who graciously drove us the hour + back to where we were staying.

 

Where we were housed during the event.  These were described as “cabins”, and as such, I anticipated bunk beds, shared space, community rooms and rustic accommodations.  Wow, was I wrong! Separate cabins (mini-homes) with air-conditioning, wifi, comfortable beds…..

 

One of the many rabbits that could be seen in the area — day or night — as shown in Alton’s tweet below.


One of the first things I saw when I stepped out of the car at the Western Science Center. (Snakes. Why’d it have to be snakes?) Despite the many signs wherever we went, I saw exactly zero snakes.

Quick shot taken outside the museum on the first morning there.  The clouds are misleading; rain is rare in the area.

Shot taken looking out from the museum.

Some of the many mountains surrounding the museum.

 

The museum displays — designed by Kathleen Springer, Eric Scott and a design team — are GORGEOUS, and particularly helpful for those of us who aren’t yet able to tell which bone goes where (outside the biggest ones).  That’s Xena, a Columbian mammoth.  Beyond her is a huge fossil sloth.

In front is Max, the iconic and very large mastodon at the Western Science Center, alongside Xena.

 

Downsized this image because it is blurry, but HERE is the reason for the green tape Katy packed (in tweet above).

Another image of Katy at work.

Grant working on mastodon molars he brought from the Yukon.

Jeremy working on a tusk.

Dr. Chris Widga looking at a fossil he’d 3D scanned.

Doug, Brian Switek, Dr. Andrew McDonald (the museum’s new curator), Chris, Katy and Christina Olson (resident poet for the event!)

Michael Pasenko and Dr. Ashley Leger discussing paleontology (perhaps mammoths, perhaps gomphotheres!)

 

 

You can check out the videos here: http://ktla.com/2017/08/02/valley-of-the-mastodons-exhibit-at-the-western-science-center/

Valley of the Mastodons – Part 1

There is a certain quiet at that altitude.  A height where the normal cacophony of daily life—human and otherwise—fades into the wind; where the senses of sight and smell take over; where it is easy, in that relative silence, to contemplate the eons that have come and gone, and what those eons have left in their wake.

Image of Diamond Valley Lake, taken by Jeanne Timmons

 

We were not in the Alps, but we were at a considerable height, surrounded on all sides by a dearth of civilization. The only beings making any kind of noise atop the viewing point for Diamond Valley Lake were those in our small group: a handful of paleontologists, a geologist, an archaeologist, the museum’s PR person, a poet, a paleoartist and a couple of writers.  It was why we’d all come from various places in North America to Hemet, California.

Not for the lake, of course.  But what had been found deep beneath it, before the lake had even come into existence.

Its origins took shape over two decades ago, when a site was needed to create a 6-month emergency water supply for southern California.  It had to be enormous, it had to be situated on relatively stable land geologically, and it had to be able–when needed–to provide that water by gravity.  The neighboring Diamond and Domenigoni Valleys met that criteria.

We were looking over this vast expanse of water, knowing full well that through the 1990s, this was where paleontologists Kathleen Springer and Eric Scott excavated for 7 years.  They and their team of volunteers worked six days a week, 20 hours a day in separate shifts, finding 2646 fossil localities that produced 100,000 fossils.

I thought a lot about the depths those fossils lay, the tonnage of rock and sediment above them, sheltering them from the surface climate, the thousands of years of changes.  How—if senses had been a part of their experience—they might have eventually felt the weight of truly enormous construction vehicles slashing into the very rock that protected them. How, in time, a softer, much gentler movement may have shifted the rock and dirt—the work of an army of humans eager to find them. Until at last, rays of light—warmth unfelt for an unfathomable amount of time—revealed their existence.

It must have been incredible, finding the first set of fossils.  How must it have felt to consistently find more and more and more? I wondered, too, about Kathleen’s personal experiences, especially as she knew the fossils would not only be there, but that they would be profuse. 

But we arrived at a different point in the story, long after the initial discovery. The fossils had been long since been collected, cleaned, and labeled. They were now housed at the Western Science Center in Hemet, not far from Diamond Valley Lake.  And we’d come to study them, discuss them, learn from both the fossils and each other, and share that knowledge with the public.

It was a unique idea, the “Valley of the Mastodons” workshop and exhibit.  Dr. Alton Dooley, jr.—Executive Director of the Western Science Center—and Dr. Katy Smith—Associate Professor at Georgia Southern University—invited paleontologists who had studied various aspects of mastodon anatomy to research the mastodons within this largely unstudied fossil assemblage.  But they also invited some of us outside the field: an artist, a poet, a couple of writers.   After a series of days, loosely structured to allow for research and outreach, an exhibit of mastodon fossils would be unveiled to the public.

All of it was new to me; I’d never attended a scientific conference before.  But I had seen the schedules of larger events—days filled with presentation after presentation, exciting scientific research explained to those lucky enough to attend them.  Even with my limited knowledge of such things, however, I recognized this for what it was: an innovative experiment.

How was this different than other scientific conferences?

Size, for one.  Rather than thousands of participants, there were less than 20 of us actively involved.

Audience, for another.  This was not a forum created solely for scientists to speak with other scientists. The larger goal, and one that was woven naturally into each day, was bringing that research to the public. Inviting them in, encouraging questions, sharing what was being learned right there on the museum floor as the research was being done.

And structure. The structure of those days, as mentioned previously, was far from rigid.  Aside from a morning of presentations, where scheduling became important, most days were fairly open—enabling all of us to do what we needed or wanted to do as we felt best to do it.  From my vantage point, it felt like Alton and Katy opened the doors to the museum, pointed to the fossils and said, “Make yourself at home.”  Which is exactly what everyone did! And it’s amazing how fast days go by when you are doing something you love, something about which you are passionate and enthused, surrounded by those who feel the same way.

The first day I felt almost dizzy, watching everything and everyone around me, excited to witness it, excited to participate, if a little unsure how best to move forward.  It was not a question of my ability to engage and then write about it; my uncertainty was determining where to focus, who to observe, what—of all the myriad things taking place around me—to be part of.  There was so much going on all at once!

As an example:

  • Katy measured tusks;
  • Dr. Jeremy Green (Kent State) sampled tusks;
  • Greg Smith (PhD candidate at Vanderbilt) and Dr. Grant Zazula (Yukon, Canada) studied mastodon molars Grant had brought with him;
  • Dr. Bernard Means (VA Commonwealth University) scanned smaller fossils for 3D images online;
  • Dr. Chris Widga (East Tennessee State University, Gray Fossil Site) scanned larger fossils for that same purpose;
  • and others helped move fossils from their displays or the collection for research.

 

Dr. Katy Smith measuring mastodon fossils, photo by Jeanne Timmons

Paleos (and a writer and poet!) at work, photo by Jeanne Timmons

Members of the public congregated near them, some asking questions, many others observing quietly.  The jocularity of some of the paleontologists broke that barrier, changing visitor observation to interaction. I was a bit star-struck myself by these paleontologists. I marveled at their casual charisma, their down-to-earth conversations, their ability to engage people of all ages.

 

Greg Smith and Dr. Grant Zazula working on mastodon molars from the Yukon, photo by Jeanne Timmons

Public observation on the museum floor, photo by Jeanne Timmons

 

Even on breaks, when we stopped for lunch or dinner or any other reason, there were constant discussions about proboscidean research or paleontology in general.   Some of us discussed books we’d read or were reading; others spoke of current research.  With almost unquenchable thirst, I drank it all in–from the most serious to the most frivolous of moments–whether I was part of the conversation or not.  These moments were what I’d dreamed of: seeing paleontologists in action.  I LOVED it.  But taking in everything and feeling such an intense emotional high takes its toll.  By the end of each day, my head reeling with information and experiences, I was more than ready to retire to my own cabin, my own space, my own quiet.

 

 

 

 

Science in a Troubling Political Climate – Dr. Chris Widga – Part 2

New Hampshire doesn’t have a state museum.  I never realized there were such things until someone I interviewed mentioned a mastodon fossil in Albany, which prompted me to travel to the NY State Museum soon after to see it.

Not understanding what a state museum is, it shocked me that there was no admission fee; anyone from anywhere could visit the museum at no cost.  I marveled then—as I marvel still—that such places exist. (To be clear: not all state museums are free.)

The Cohoes Mastodon at the NY State Museum in Albany, NY; picture taken by the author of this blog.  I learned of this mastodon thanks to Dartmouth professor, Dr. Roger Sloboda, after interviewing him for a piece I was writing about a mammoth & mastodon exhibit at the Boston Museum of Science in 2012.

 

 

Illinois not only has a state museum, that museum is made up of five separate museums with over 13 million artifacts.  And in 2015, Governor Bruce Rauner wanted to close it completely.

During a messy and contentious budget battle, the museum was shuttered for nine months, only to be reopened this past July with a new $5 admission fee.  But by then, most of the staff had gone, forced to take jobs in other places as their future at the museum was decidedly uncertain.

 

Screenshot from this page of the Illinois State Museum website.

 

No one knows this better than Dr. Chris Widga, who had been a vertebrate paleontologist employed at the Illinois State Museum.  He now works at the Center for Excellence in Paleontology at East Tennessee State University (ETSU).

“The whole question of Channel Islands and island mammoths probably got me through last winter,” Dr. Widga explained as we spoke by phone.

We were discussing the effect islands had on proboscidean evolution and the exciting recent research done in part by researchers from The Mammoth Site and the National Park Service.

“In Illinois, as the State government was falling apart around my ears, as the State Museum was closed, I basically closed my door and was doing the analysis for the Quaternary International article. In so doing, I was thinking about these pygmy mammoths. As it’s icy outside and subzero for about six weeks at a time, that kept my sanity.” He laughed.  “So the Channel Islands has been my refuge, I guess, even though I’ve never actually been out on one of them.”

The move from Illinois to Tennessee was not just a contrast in physical environments.  It also meant moving from a scientific institution founded in 1855 to one that has been open for just 10 years.  Dr. Widga explained that a mere two weeks prior to his start date at ETSU, the university formed a partnership with a local science center.   The ETSU staff maintains the collections, conducts research, and oversees excavations at the nearby Gray Fossil Site.  The science center staff is responsible for educational activities within the museum and overall maintenance.

“Their [educational] philosophy is very similar to ours,” Dr. Widga said of the science center. “It’s inquiry-based. We want people to come in and learn through asking questions rather than just be spoon-fed facts.”

So much of what Dr. Widga has done involves public outreach.  From videos about the collections at the Illinois State Museum to long-distance learning programs like The Mammoth Expedition, work he did in conjunction with Dr. Katy Smith at Georgia Southern University and with the Milwaukee Public Museum.

When I commented on how much I loved that kind of publicly accessible information, his response was, “Part of that is because I’m in a museum. I’m not buried under coursework and teaching. Outreach is valued. The way you justify your existence in a museum is to connect with the public.  And part of that is figuring out how we can connect with the public in ways where it’s an exponential relationship.”

In other words, not having a one-on-one conversation with a museum visitor, but creating a website about the Ice Age in the Midwest, for example.

Figure from a presentation done by Dr. Chris Widga as part of the National Science Foundation grant received; image courtesy of Chris Widga.

 

Despite everything he’s gone through, there is no question Dr. Widga loves what he does.  It permeates his voice when he speaks of paleontology, and it prompted me to ask if he ever becomes excited at work.  His response was a definitive ‘YES.’

By way of explanation, he quoted his now-retired colleague, Dr. Jeff Saunders, who used to say, “‘Going to work in the morning was like going to Disney Land everyday.’”

Not only did the two scientists literally work across the hall from each other at the Illinois State Museum, they were apparently known to shout out excitedly to the other whenever one read a great article or wanted to share a relevant scientific image.

“Part of the reason I like museums is because you just never know!” Dr. Widga continued. “Some of the new things come from the collections; some of the new things come from new papers. You read them and you’re like, ‘oh, this explains it!’ It was something that you had been working on for a long time and, all of a sudden, somebody else had that last piece of the puzzle that puts the whole thing together.

“At least once a day—even on the worst days—there’s something that comes through and I’m like, ‘oh, this is so cool!’”

Proboscideans at Morrill Hall at the University of Nebraska State Museum of Natural History; image courtesy of Chris Widga

 

The seemingly idyllic work environment in Illinois lasted for a decade until 2015. Despite protests, a MoveOn.org petition and public outcry about the museum closing, Dr. Widga and his colleagues were forced to consider other options.  The fate of the museum was out of their hands.

“There was a point as I started looking for jobs last year that I asked myself, you know, do I want to continue in this vein?”

“I’d watched many of [my colleagues] that had taken jobs in Research One institutions [become] totally burned out.  Or they’d kind of gone in weird and funky directions, not because the research was taking them in that direction, but because they were getting pressure from their institution to go in a certain direction or something like that.

“And that was part of the fun of the Illinois State Museum is that I could work on anything. Nobody was saying, ‘You have to work on elephants.’ That was a choice that was mine. Nobody was saying, ‘well, you have to work on dogs.’ That was a choice that was mine. You could chase whatever questions were out there.

“The feedback that I got from the people that interviewed me [was that] they were very interested in what I did.  It was a very different situation than what we were going through at the Illinois State Museum where, essentially, you were being told, ‘what you do is not important.  And none of what you do—your position, your entire existence—is important.’ [The feedback I got while interviewing for other jobs] revived this idea that what we do is important, and it’s exciting.”

I couldn’t help but compare his experience in Illinois to the general anti-science climate in our government today.  It was particularly interesting for me to speak with Dr. Widga about his paper on Pleistocene ecology a day or so after the House Science Committee’s so-called hearing on climate change.  Dr. Widga’s infectious enthusiasm took a very somber turn, as he conceded how difficult things become when “politics starts really driving the boat and reason takes a back seat.”

“That won’t change any of the science,” he added, “[but] it may change how the science is funded. It also won’t change any outreach that we do or the educational activities! In fact, if anything, it’s going to make those seem more important and put more emphasis on those.

“We can talk about the scientific community writ-large, but certainly within the paleontological community, you will find very few working paleontologists, working scientists, who say that education and outreach is not a good thing anymore.

“It used to be that you could just hole-up and do your research and never really interact with the public.  But if anything, this whole process [with the IL governor and the Illinois State Museum] has made us realize that that can’t happen.

“There’s this realization that pre-dates this modern political atmosphere: That you really do need to work with the public and you need to make sure that the point of what you’re doing is out there. Not just in terms of dinosaurs are always cool so therefore that’s why we’re doing it. But we’re also doing it to learn more about how our world works–the nuts-and-bolts of how ecosystems are put together, the nuts-and-bolts of how climate changes impact those ecosystems–that has real-life implications for today and into the future.

“And there’ve been some really loud voices in the last couple of years that have said that over and over and over again. Some of which are people like Jacquelyn Gill! And that is a big shift in science. It’s a big shift in science communications.

“I’m glad that we were moving on that before the current [political] atmosphere because it makes it much more difficult to sideline us as, you know, a bunch of eggheads.”

It didn’t take long for our conversation to take a positive swing upward, as Dr. Widga then described possible future projects involving scientists across the country.

His statement “I’ve always been of the opinion that science is a collaborative effort” couldn’t be more apt.  And I, for one, cannot wait to see what he and his colleagues work on next.

Artwork by Velizar Simeonovski based on scientific research at Mastodon Lake in Aurora, IL; courtesy of Chris Widga

*****

THANK YOU, Dr. Chris Widga, for your generosity of time and spirit in speaking with me about paleontology and the difficulty you’ve gone through.  I loved conversing with you, and I’m eager to read about, watch or see the projects you dive into next!

 

References:

  1. Illinois State Museum reopens to public after nine-month shutdown, John Reynolds, The State Journal-Register, July 2, 2016
  2. Closing decimates Illinois State Museum management, Chris Dettro, The State Journal-Register, December 27, 2015
  3. Much of Illinois State Museum management leaves amid closure, Chicago-Tribune, December 28, 2015
  4. Museums caught in middle of state budget showdown, Steve Johnson, Chicago-Tribune, June 25, 2015
  5. Rainer prepares to close state museums, shutter some prisons to balance ‘phony’ Democratic budget, Becky Schlikerman, Chicago Sun-Times, June 24, 2015

North American Proboscideans and Dr. Chris Widga – Part 1

“Most zooarchaeologists are interested in the people, and they use the animals as kind of a tool for understanding butchering patterns or food ways or something like that.”

Dr. Chris Widga and I were in the midst of a great conversation about three recent papers he co-authored, paleontology, proboscideans, and the state of science today.

“I was always interested in the animals themselves,” he continued, “so when I got the position as a vertebrate paleontologist at the [Illinois State Museum], all of my friends who’d known me for years said, ‘well, that was a no-brainer for us. You were doing vertebrate paleontology all the time on Holocene bison. You never cared much about the people!’”

That beginning in zooarchaeology and the subsequent immersion in paleontology are what give him a unique perspective of the two sciences.  Or, as he himself explained: “I guess I kind of have this foot in both worlds.”

The two occasionally overlap.  In the paper published this past February in Boreas, “Late Pleistocene proboscidean population dynamics in the North American Midcontinent,” he and his colleagues take a closer look at what might have caused the extinction of mammoths and mastodons in what is now the middle of North America. Possible culprits include climate change, shifts in available vegetation, and predators (including humans).

Of the 627 localities included in this study, only 3 offer any kind of human association.  The authors state that these sites were “re-visited to ensure consistent taphonomic and zooarchaeological data,” and that, despite this, whether or not these specific humans and proboscideans interacted remains unclear.

“That’s a distinction I like to make as a paleontologist and a zooarchaeologist,” Dr. Widga offered. “Just because we have a couple of the sites with humans associated [doesn’t necessarily indicate that] humans actually hunted, killed and butchered those animals.  [Humans] may have scavenged them.  They may just simply be associated in these sites. And very few of those sites have been analyzed to the degree of detail that we really need to start teasing apart those issues.”

What he and co-authors Stacey N. Lengyel, Jeff Saunders, Gregory Hodgins, J. Douglas Walker, and Alan D. Wanamaker try to do, however, is take a deeper look at the late Pleistocene environment in which these proboscideans lived.  It’s exciting research: Rather than simply describing fossils discovered in the various US states and one Canadian province, they are trying to put them into context.  In other words, they are trying to understand the ecology of that time period and how that may have affected the megafauna living within it.

But it’s not an easy task.

“Ecologists can look at modern ecosystems and say, ‘Ok. This is what’s going on, and this is why we think that, and this is how we’re measuring it’ in great detail.  But extrapolating those same processes back into the paleontological record is often really, really difficult even with the best data set.

For example, “[w]e can observe boom-and-bust cycles in deer populations, in caribou populations, in musk ox and things like that. But when you try and translate that into the paleontological record, most of the time it’s really difficult because you simply don’t have the samples and you don’t have the time resolution.

“Even in our case, where we have really good samples and we have really good dates on our samples and we’re creating this chronological structure to kind of fit them in, it’s really difficult to translate those patterns into ecology.

“We can’t date a single mastodon any more precisely than about a hundred-year window.”

The fact that some of the ecological constructs used today in extant populations are controversial makes trying to apply such constructs to extinct animals that much more of a challenge.

“When even the ecologists can’t truly [agree upon] what’s going on, you have to navigate things very, very carefully.”

The amount of work put into this paper (work that has produced previous, subsequent and yet-to-be-published papers) is staggering.  Thanks to a National Science Foundation grant, Dr. Widga and Dr. Jeff Saunders—both previously at the Illinois State Museum—were able to visit an astounding number of museum collections in the Midwest and review their proboscidean fossils.

“We’ve [basically] spent the last 5 years in other people’s collections,” he explained. “It was fun because we visited a lot of collections that people don’t usually go to. About half of the data set comes from repositories that have fewer than five mammoths and mastodons.”

 

 

An inside look at the extensive fossil collection at the Indiana State Museum collection–one of the many collections visited by Dr. Widga.  In our conversation, he said, “The Indiana State Museum is a big dot on the map in terms of mammoths and mastodons, in part because of [paleobiologist Ron Richards’] work!”   This image was taken in 2005, picturing then Collections Manager Michele Gretna (currently Director of Archaeology); image courtesy Indiana State Museum and Historic Sites.

Another inside look at the Indiana State Museum collection; Preparator Elizabeth Scott after the reconstruction of the Kolarik locality mastodon tusks, 2014; image courtesy Indiana State Museum and Historic Sites

 

 

Their work involved the review of over 1600 fossils that currently reside in collections in Ontario, Canada, as well as in Arkansas, Illinois, Indiana, Iowa, Kansas, Kentucky, Minnesota, Michigan, Nevada, Ohio, South Dakota and Wisconsin.

“We doubled the number of known published sites for mammoths and mastodons in the Midwest.”

Information that they are willing to share with other scientists, as evidenced by the number of papers they continue to co-author.  Following the Boreas paper, Dr. Widga was part of another two papers published in March in Quaternary International and then in Scientific Reports.

Mammoth teeth take a leading role in the paper, “Reconciling phylogenetic and morphological trends in North American Mammuthus,” published in Quaternary International and co-written with Jeff Saunders and Jacob Enk.

“We’re starting to put out some of these ideas that actually put data onto these [traditional] species boxes that we like to put specimens into.  So that was one of the first steps into thinking about these things: more as morphologically variable populations rather than just trying to assign them to a particular species.

“A lot of times these studies kind of happen in isolation.  So the people that think about morphology, they’ll publish on the morphology and then post-hoc, they’ll say, ‘oh but this doesn’t agree with the genetics at all.’ Or the geneticists will publish on the genetics, but they don’t integrate any morphology.  So our point was to try and integrate both of them and see what they say. Can you use the genetics to kind of structure your interpretations of what the morphology means?”

The authors studied “M3s”—the permanent upper 3rd molar—of both female and male mammoths of various ages from museum collections and from previously published work.

Per Dr. Widga, this is the upper 3rd mammoth molar from Clear Lake Sand and Gravel Pit, Sangamon County, IL. One of his favorites from the ISM collection. It dates to the Last Glacial Maximum and had preserved DNA so is included in the Enk dataset; image and caption courtesy Chris Widga.

 

“Jeff [Saunders] and I would say, ‘this genetic information actually fits perfectly with our morphological information which suggests that there’s a lot of population overlap in between these normally well-defined populations.’ So in between Columbian mammoths in the Great Plains and woolly mammoths from the Great Lakes you have Iowa mammoths that show characteristics of both. And also they show characteristics of both in the same animal!

“That was kind of the impetus for the [Quaternary International paper]: to get that out there, show that you do get a lot of overlap in the morphology. It’s not just clean boxes of Columbian mammoths and woolly mammoths. And even pygmy mammoths overlap with Western Columbian mammoths! So that was kind of the point of the paper: to get the conversation going and make a first pass–a first attempt–to reconcile the two data sets.”

Following soon after the paper in Quaternary International, he was part of a remarkable group of proboscidean and genetic scientists whose paper The evolutionary and phylogeographic history of woolly mammoths: a comprehensive mitogenomic analysis analyzed 143 woolly mammoth mitochondrial genomes.

As Dr. Widga said with characteristic enthusiasm about his work in paleontology, “It’s always fun! There’s always a mountain to climb and a vista to see!”

*****

A Mammuthus columbi-sized THANK YOU to Dr. Chris Widga, who was remarkably generous with his time, with images to use and with answering my many, many questions (both for this blog and for my own proboscidean curiosity).  Speaking with him was delightful; he is an incredible ambassador for science in general!

Another sincere THANK YOU to Ron Richards for providing the great images of the Indiana State Museum collection. 

References:

  1. Widga, C., Lengyel, S. N., Saunders, J., Hodgins, G., Walker, J. D. & Wanamaker, A. D.: Late Pleistocene proboscidean population dynamics in the North American Midcontinent. Boreas. 10.1111/bor.12235. ISSN 0300- 9483.
  2. Widga, C., et al., Reconciling phylogenetic and morphological trends in North American Mammuthus, Quaternary International (2017), http://dx.doi.org/10.1016/j.quaint.2017.01.034
  3. Chang, D. et al. The evolutionary and phylogeographic history of woolly mammoths: a comprehensive mitogenomic analysis. Sci. Rep. 7, 44585; doi: 10.1038/srep44585 (2017).

Mastodon fossil at the Illinois State Museum; image courtesy of Chris Widga.

Meet Dr. Katy Smith – Mastodon Detective

If you imagine the Great Lakes region over 10,000 years ago, you might see large, hairy beasts with relatively straight tusks grazing around boggy areas or moving within dense forests.  Their fur and overall appearance might cause you to confuse them with woolly mammoths, but these are the mammoths’ shorter, stockier cousins.  And if any of them would let you get close enough to inspect their mouths, you’d see in an instant that their teeth are completely different than those of mammoths.

 

[image of contemporary boggy area in Alaska, courtesy Getty Images]

 

Whereas mammoths are believed to have eaten grasses and even flowers, mastodons needed teeth suited to the mastication of hardier stuff: shrubs, parts of trees, perhaps pinecones?   Mastodon teeth, with the bumps and ridges one might associate with carnivores, are easily recognizable as ‘teeth.’  Mammoths, in contrast, needed to grind food, producing teeth with spherical lengths of ridges across each tooth.

ISM - Mastodon tooth

 

[image courtesy of Ron Richards, Indiana State Museum, for this post: Mammoths and Mastodons in Indiana – Part 1.  Can you tell which tooth belongs to which species?]

 

ISM - Mammoth tooth

 

[image courtesy of Ron Richards, Indiana State Museum, for this post: Mammoths and Mastodons in Indiana – Part 1.]

And while woolly mammoths pervade popular culture and interest, there are some, like Dr. Katy Smith, Associate Professor of Geology at Georgia Southern University and Curator of the Georgia Southern Museum, who prefer their lesser-known cousins and have made fascinating contributions to our understanding of them.

Mastodon discoveries usually produce the fossils of a single animal, and rarely a complete skeleton. Rarer still, finding skeletal remains of multiple mastodons at the same site.

Such a unique discovery occurred in 2005, when more than 300 fossils were found in Hebron, Indiana.  Now known as the “Bothwell site,” it was originally going to be the location of the landowner’s pond.  Instead, Indiana State Museum paleobiologist Ron Richards and his crew uncovered bones that included numerous mastodons (Mammut americanum), giant beaver (Castoroides) and hoofed animals with even-toes (artiodactyls).

ISM - 2005 Bothwell Mastodon 2

 

ISM - 2005 Bothwell Mastodon 1

[images of the Bothwell site dig, courtesy of Ron Richards, Indiana State Museum, for this post: Mammoths and Mastodons in Indiana – Part 2.]

 

Four years later, the Bothwell site became the focus of Katy Smith, her dissertation, and two subsequent papers she co-wrote with Dr. Daniel Fisher at the University of Michigan.

But let’s take a moment to consider what paleontologists uncover. However rudimentary this may seem, it is important to note that bones are generally not discovered in neat order, intact and with each skeletal component attached where it would have been in the life of the animal.

Consider, too, that not all bones survive.  And those that do are often broken or in terrible condition.

So even at a site such as Bothwell, which produced lots of fossils, a paleontologist’s job is no less challenging.  The pieces of information are incomplete, mere clues to the animals that died there.

The questions, however, are profuse.

Why were so many animals found in that one spot?

If, as it is currently debated, mastodons shared behavioral traits with modern-day elephants, was this a family unit?

If so, was this group—like elephants–comprised largely of female and juvenile mastodons?

And why were other unrelated animals discovered among them?

Did a sudden disaster kill them all?  Were humans involved?

 

Embed from Getty Images

 

Sexual dimorphism is another way of referring to the traits that make an animal either female or male.  Some of us would assume, since mastodon pelvic bones were not among the Bothwell fossil assemblage, that the sex of these animals would remain unknown.

There were 13 mastodon tusks, only four of which were complete. And this, remarkably, is what prompted Katy Smith’s research.

“I wanted to know if I just had tusks, what can I do to figure out if I’m looking at a male or a female,” she explained by phone.

Katy Smith - measuring an African elephant tusk

 

[image of Dr. Katy Smith measuring an African elephant tusk in (what this author believes must be one of the greatest places on earth) the basement and fossil collection of the University of Michigan; courtesy of Dr. Katy Smith]

 

“Other people have looked at [sexual dimorphism], but I wanted to look at it specifically with the Bothwell mastodons, because they were inferred to be female, and female mastodons are less common in the fossil record than males.

“When I presented preliminary results from my research in a paleontology class, the professor said, ‘Why don’t you try multivariate analysis?’ And it just kind of spiraled from there.”

Multivariate analysis,’ as the name implies, means using more than one type of measurement or observation towards a hypothesis.  In other words, rather than simply using size as a determination of sexual dimorphism, applying numerous methods and statistics that support or disprove it.

Already, the amount of information scientists have pulled from tusks alone is fascinating.

Tusks are teeth.  They are described, in Dr. Smith’s dissertation as “hypertrophic incisors.” And, unlike human teeth, they continue to grow the entire life of the animal. So where we can simply look at a human tooth and know immediately whether it is from an adult or a child, the same cannot be done with tusks.

What their hardy structure records includes the age of the animal, growth in winter or summer months each year, their overall diet, and periods of nutritional stress.  (As described in an earlier post, Proboscidean molars can even provide details regarding where they roamed during life.)

But much of this information can only be gleaned from well-preserved, intact tusks, as well as from cutting into and examining their chemical composition.

“If you don’t know what the sex of the animal is before you look at tusk microstructure,” she said, “it can be hard to interpret what you’re looking at.”

Part of what Dr. Smith hoped to discover were similarities in the tusks where sex and age had already been determined.  If certain structural elements were the same across female mastodon tusks, such that they tended to differ from male mastodon tusks, this might help determine sexual dimorphism in future tusk discoveries.

She also hoped to discover any similarities between the tusks of extant elephants and mastodons.

Katy Smith -longitudinally bisected tusk

 

[image of longitudinally bisected tusk, courtesy of Dr. Katy Smith] 

 

Thus, she studied and measured tusks of both species from numerous museum collections. (Asian elephant tusks were not used, as female elephants of this species tend to have either tiny tusks or no tusks at all.)  She rather amusingly refers to the approximate amount of tusks involved as “5,000 pounds of tusk.”

Her dissertation and the two papers describe the type of analysis performed in detail.  Among them were canonical variates analysis (CVA) and discriminant function analysis (DFA).

“Fortunately, we didn’t have to cut into the tusks to do those measurements. You just insert a stiff wire into the pulp cavity.”

“We think about tusks sometimes as stacks of sugar cones, because they actually grow in a kind of [layered] cone structure. So you think about one sugar cone, and then you put another one inside that one and then another one inside that one and so on and so forth. And the last sugar cone is empty. There’s nothing in it. That represents the pulp cavity.”

“[Analyzing the] pulp cavity is probably one of the best single measurements that you can use to distinguish between male and females. [I]n females, that pulp cavity will terminate before the gum line, and in males, it will terminate after the gum line, closer to the tip.

“This is something that we saw in almost every mastodon. So it was kind of cool.”

 

Katy Smith - female mastodon

 

[image of female mastodon skull and tusks, courtesy of Dr. Katy Smith]

 

“If we could have cut every tusk, I would have,” she admitted, and laughed. “But it was a matter of collecting these measurements at different museums. And so I would just go there and collect all of them, and that was how we’d get the pulp cavity depth.”

“I’ve always been interested in paleontology,” she said when I asked her how she got started.

“I’m one of those kids who just never grew out of it. My parents used to take me to the museum all the time, and I used to spend hours and hours staring at the dinosaur dioramas there, just loving it.  I told my kindergarten teacher I wanted to be a paleontologist. I never changed! My 5-year-old self grew up and became a paleontologist.”

But her interests moved away from dinosaurs when she realized that their fossil record in Wisconsin, her home state, was rare to nonexistent.

After all, she said, “I started just wanting to explore what was underneath my feet.”

It wasn’t until grad school at Michigan State, where she met the late Dr. Alan Holman, that she realized her passion for mastodons.  His own interest in the species was infectious, and it was through him that she learned of the numerous mastodon (Mammut americanum) fossil discoveries in the area.

“Wow!” she said, recalling her initial reaction. “There are over 300 mastodons in Michigan. This is exciting!”

Katy Smith - male mastodon

[image of male mastodon skull and tusks, courtesy of Dr. Katy Smith]

Not surprisingly, she did her PhD work at the University of Michigan, home to Proboscidean expert Dr. Daniel Fisher, who was her advisor.

“I wanted to work with him,” she explained, “because I wanted to continue working on mastodons, and he had a couple of ideas for projects. One of them included this assemblage of mastodons from Indiana, which were—supposedly—all female.”

What she discovered regarding the Bothwell site is both thought-provoking and fascinating:

  • 8 tusks were determined to be female; the other 5 are unknown
  • the ages of the mastodons range between 19 and 31 years old
  • there is evidence that at least one juvenile might have been among them (a “juvenile tooth crown” was found)
  • given that two mastodons died in winter, and another two died either in late summer or early autumn, this indicates that the collective deaths of these animals didn’t happen at the same time (hence, not a single event)
  • none of the mastodons appeared to be under nutritional stress when they died
  • members of a family unit would be expected to have the same “isotope profiles”–chemical signatures in their teeth–but these do not

Based on the evidence provided, Dr. Smith wonders whether these animals were part of a meat cache for humans (members of the Clovis culture) that co-existed at that time.

But perhaps the single most remarkable result of her research is helping other paleontologists–who often have nothing more than a single tusk–determine the sex of that animal using her different types of analysis.

Prior to her dissertation, only one female mastodon tusk had been analyzed for growth rate.  To date, I am unaware of any other publication (paper or book) that helps detail the sexual dimorphism in mastodons by tusks alone.

When I remarked upon this, I asked her if others had cited her work.  Her response, after stating that others had, was equally fascinating to me.

“It’s always the hope as a scientist that you’re contributing in some way,” she said, “and you know that you’re contributing if somebody else is using what you’ve done.”

 

An enormous and sincere THANK YOU to Dr. Katy Smith for her generous and fascinating answers to my many questions, her gracious help when I had trouble understanding certain points, and for being so much fun with whom to connect! I cannot express how much I wish I could attend her classes, nor how fascinating I found her dissertation. I am profoundly grateful that she shared it with me!

A sincere thank you to my Dad, as well, for helping me understand tooth components (i.e.: dentin, cementum)!

**A quick reminder that I am neither a scientist nor a paleontologist, so any errors in this post are my own.

Bothwell Mastodont Dig, courtesy of Indiana State Museum; many thanks to Bruce Williams and Leslie Lorance!

—————

References:

 

Other references:

 

Cohoes mastodon size comparison

[image of sign in the NY State Museum illustrating the size difference between an extant elephant, a woolly mammoth and the Cohoes mastodon; picture taken by the author]

From the Depths of an Indiana Cave: A Fossil Treasure Trove

Around perhaps 25,000 years ago in Southern Indiana, an injured Dire Wolf made its way into a cave and never came back out. With three good legs and one that had been out of socket for a year or so, the wolf crawled through the smaller spaces and eventually—whether through an accidental fall or otherwise—landed at the bottom of a deep pit. It was trapped.

Ron Richards, Senior Research Curator of Paleobiology at the Indiana State Museum, and his crew discovered its skeleton after digging in that particular room for 3 or 4 seasons.

Ron took that set of bones to pathologists for more information. However long that injury was sustained, and it was not a short amount of time, that wolf was a survivor. They determined the one leg probably didn’t touch the ground, but that it could probably still run using the other three.

“What normally is a circular ball-joint on his thighbone was flattened on one whole side,” Ron explained in a phone interview.

“I think that probably affected his ability to back out. Maybe he smelled some rotting carcass smell or something, got too near and couldn’t back out, and probably went over the top [of the pit.]”

A reconstruction of that event, complete with an actual cast of that specific room in the cave, can be seen at the Indiana State Museum today.

What may not be apparent was the work involved in creating that cast.

The word “cave” might invoke images of enormous open spaces underground. This is not at all that kind of cave. Not at the initial opening, nor at any space within as one moves deeper inside.

“Years ago, you had to go into a belly-crawl,” Ron said of the entrance, “but now we’ve moved through it so much, we can do a hands-and-knees crawl.”

They built a platform to work above water pooling at the bottom of the pit, and—in order to keep the walls dry for rubber molds—they used blowtorches. Ron, cave dig crewmembers and people from RCI (Research Casting International) worked together on the beginning stages of the room’s cast. The finished product was done at RCI headquarters in Ontario.

RCI - Dire wolf replica

[Image of the cave cast and wolf replica, http://www.rescast.com, by Research Casting International for the Indiana State Museum]

Nothing done in that cave is an easy process.

When Ron first began digging in that cave, he said, “I thought it would take 9 people 9 days, and we could finish the project.”

That was in 1987. The dig was prompted by the discovery of a single peccary bone.

Ever since, for approximately two weeks each year, Ron and his crew have returned to dig.

“[It was] the first big cave dig we had done,” he continued, describing that first year. “We’d done a couple of mastodon digs at the time, but we really had no money for the budget. There was nothing there. We had no trained staff. We had almost no equipment.”

“I remember pulling this together, pulling different people from different sections of the museum.”

And when it came to potential funding for this excavation, Ron recalled that he was asked, ‘Can’t you do this another time?’

“I didn’t know what to say,” he admitted, “so I didn’t say anything. The next day, we got the gear loaded, and we headed down for the cave. We just did not look back!”

“As it worked out, we dug, we found more bone: parts of little peccaries, parts of big peccaries, and other animals that no longer occur in the region.”

Peccaries are relatives of modern pigs, but instead of upper canine teeth that curve up—as in modern hogs—their teeth “drive straight down like daggers,” as Ron explained. Today, modern peccaries live within the Southwest United States, as well as in Central and South America. But during the Ice Age, peccaries were common in Indiana and Eastern U.S.

Peccary Fig 02  iceage13a upgraded

[Pleistocene peccary by Karen Yoler, image courtesy of Ron Richards, the Indiana State Museum.  Per Ron Richards: “This image is artist Karen Yoler’s  concept of what the peccary looked like.  We did drop off the larger dew claws on the front legs and added a little more canine tooth size and gave it a more perpendicular orientation.”]

 

Embed from Getty Images

[Angry javelina–or collared peccary–close up. Javelina go by many names such as wild pig,boar,etc.; image and caption from Getty Images.]

Working deep in the cave initially, the crew created a system that they continue to use, with some improvements, to this day: some people dig in the cave and place the soil into buckets; other people haul the buckets out of the cave and bring them down to a stream; still others screen the soil for fossils.

All of the data is recorded; all of the soil is screened.

“Above you are big spiders—lots of cave spiders and cave crickets. They don’t bother you, but some people get the heebie-jeebies, you know? I mean, you look up, and there [are these] massive things moving around,” he said and chuckled.

In recent years, they’ve developed what Ron refers to as “tramways,” 60-70 feet of ramps created by parallel boards with cross slats. Tramways—some with rollers—help bring the buckets out of the entrance to the cave and down the hillside.

ISM - Cave with tramway

 

[Digging…with the tramway in position for hauling buckets of sediment out, image courtesy of Ron Richards, the Indiana State Museum.]

To help carry 15-20 buckets at a time down to the spring to be screened, they employ an ATV with a tractor.

“[From all of the] tons of soil that gets screened,” Ron stated, “[there remains some] soil that’s left with small bones. We bag that out, bring it back to the museum, and then they rescreen it and clean it. And then–spoonful by spoonful–they go under the binocular microscope, and they pick out all the small bones and teeth.”

His crew is a dedicated group: leaving their hotel rooms at 8am and working throughout the day—with a short break for lunch–until 5pm (or later if the weather holds). Ideally, there are nine crewmembers per season, but they have done it with less people. Digging has sometimes required breaking rock, so among the many tools used are sledgehammers and chisels.

ISM - Cave digging

 

[Digging for peccary bones, image courtesy of Ron Richards, the Indiana State Museum.]

 

Over the years, the cave rooms have gained descriptive names: the Peccary Room, for example, the X Room, and the Bat Room.

The “Microfauna Room” was named after the large amount of small bones they found when they began digging through the top layers of soil and rock. This is where the aforementioned Dire Wolf was discovered.

“Near the bottom of that room, down at the 25,000-yr level,” Ron explained, “we began to get fairly complete skeletons of things like Dire Wolf, Black Bear, an otter, a snowshoe hare, a lot of small shrews and mice.”

“We really believe that those animals fell in this pit. They dropped, and they went down about 15-20 feet. I think most of the time it was probably full of water.

“It’s just a lonely place to be. Whether they could stand at the bottom, I don’t know. But there’s no way out.

“There [was] enough mud washing in from the ceiling of that room that they were buried under real fine sediments. And that preserved them very well.”

Some of the fossils discovered have been both remarkable and rare. A tapir tooth—only the second to be found in the entire state of Indiana—was found in the cave. Several beautiful armadillo (Dasypus bellus) plates [osteoderms] have been discovered have been discovered (that is the actual name; ‘beautiful’ is not necessarily a description). Ron painted a picture of this by saying, “When one animal dies, there’s about 3,000 plates that disintegrate and go everywhere, like little dominoes.”

“Two years ago,” he said, describing the ‘Twilight Room’, “we started finding some articulated peccary skeletons.”

“Deep in the cave we didn’t find a lot of that. The bones would be disturbed, and you could just see sort of a jumbled mass that had been moved by water, by gravity, [or] by other animals.”

“In this room, we found things that were articulated, feet in place, all of the little toes in place. Really unusual.”

The earliest fossils found were parts of a giant land tortoise, a species that cannot live in cold climates. Finding this indicated that the area, at that time, did not freeze.

Also found were fossils of a pine marten, a species that, conversely, lives in Northern climates today.

And as for peccaries, Ron estimates that they have found the bones of approximately 650 individuals. They determined this number by by counting the total number of large, pointed canine teeth and dividing by four.

ISM - flat-headed peccary

[Bones & skull of the flat-headed peccary, image courtesy of Ron Richards, the Indiana State Museum.]

“So the question is then: did they live here? Or did they all have a misfortune and die here? It’s a little of both, but it’s mainly that they probably inhabited this cave and rock shelter for most of that time period.”

Ron mentioned that a number of the fossil discoveries in the cave are new to him.

So how does one identify unfamiliar fossils?

“We have a general reference collection of modern bones,” he replied, “and there is a big collection at Indiana University, Bloomington that I had become very familiar with in the 1970’s and 1980’s.”

He went on to explain that he referenced available literature and visited other museum collections.

“I had written correspondence,” he continued, “and the mailing of specimens with several experts in the eastern United States. My foremost ‘mentors’ were Dr. Russell Graham (then The Illinois State Museum), and the late Dr. J. Alan Holman (The Museum, Michigan State University), but I also had open correspondence with the late John E. Guilday (Carnegie Museum of Natural History), the late Dr. Paul W. Parmalee (The McClung Museum, University of Tennessee), Dr. Holmes Semken (University of Iowa) and the late Wm. R. Adams (Zooarchaeology Laboratory, Indiana University).”

“Everything [is] dug in square units,” he said. “We have thousands of these units. We can show the distribution and abundance of anything that pretty much died in that cave for thousands of years.”

And the work is hardly done. Ron estimates that the digging portion may be completed within the next 5 seasons (5 years), but the analysis of the immense amount of fossils has yet to begin.

“We’ve got probably 30 radiocarbon dates from the cave. Every year, we get one or two more.”

Ron explained that the cave has, so far, produced “probably 7,000 small plastic boxes of small bones, and 2,000-3000 larger containers of larger bones.”

“It’s my job to identify those. But, you understand,” he said, laughing, “life is short. I could spend all my time, day and night, just working with that alone. It’s an immense project.”

————–

Many, many thanks to Ron Richards, whose generosity astounds me.  I am profoundly grateful for his time, his patience with my “volley of questions” and his fascinating descriptions.  It is always a pleasure and an honor connecting with him!

A sincere thank you to Bruce Williams for prompting this post!

**The name and location of this cave were intentionally left out for security reasons.

Embed from Getty Images

[Image of the Indiana State Museum, Getty Images]

These Two Museums Need Your Help: Pt. 2 Illinois State Museum

Actually, the title to this post is a misnomer: there is one main branch of the Illinois State Museum in Springfield, but there are 4 other state museums in different locations that also fall under the “Illinois State Museum.”

And all five of them are under the threat of closure on July 1st.

On June 2nd, the office of Governor Bruce Rauner announced what programs he intended to cut in an attempt to save $400 million in the Illinois state budget.

As these museums fall under the responsibility of the Illinois Department of Natural Resources, the Governor’s press release stated that the [IDNR] “will begin the process to suspend operations and close the five state museums to visitors. The state will continue to maintain and secure the museums to protect the artifacts and exhibits.

Gov Rauner shuts down museums

 

Screenshot of the Governor’s press release, highlighting the museum closure.

You can read about the many other program cuts and their potential impact here in this article in the Chicago Tribune. (http://www.chicagotribune.com/news/local/politics/ct-rauner-madigan-budget-cuts-met-0603-20150602-story.html)

 

The idea of shutting down one museum—let alone five—seems incomprehensible. These museums collectively contain millions of artifacts.

Chris Young, a spokesperson for the IDNR, wrote in an email that the number of visitors to all museums last year was 386,750 people.  The specific number of people for each museum in 2014 is as follows:

  • Illinois State Museum main facility in Springfield plus Research and Collections Center:  199,304
  • Dickson Mounds:  50,297
  • Chicago Gallery:  64,300
  • Illinois Artisans Shop Chicago:  39,896
  • Lockport Gallery:  14,253
  • Southern Illinois Art Gallery:  18,700

These numbers do not take into account the online resources provided by the museums nor the collaboration between researchers in other states or countries.

Illinois State Museum websitehttp://www.museum.state.il.us/ismsites/main/

Illinois State Museum’s Ice Age website: http://iceage.museum.state.il.us/

iceage.museum.state.il.us

Screenshot of the Ice Age website released this year by the IL State Museum.

 

Enter Samantha Reif.  According to an article on NPR Illinois, she is both a museum volunteer and a geology teacher, and she created the MoveOn.org petition asking Gov. Rauner not to shut down the museums.  At the time of this post, there are 4,514 signatures.

But if the threat of shuttering them becomes real, how does one actually go about closing museums?

“The museum will return art objects owned by other entities that are currently on display,” Chris Young of the IDNR responded. “Consigned Illinois Artisan works also will be returned, as well as scientific collections from other museums and universities that have been borrowed for research purposes.”

“The museum’s staff will also be calling back artifacts and specimens that are on loan to other entities for research and exhibition,” he continued. “At this time, there is no definitive list of objects or collections to be returned.”

In addition, he wrote that the “museum currently has three active research grants from the National Science Foundation, and is a partner on a NSF education grant. [The] museum administration is working on a strategy for completion of the current grants.”

He noted that there are 68 people employed throughout these museums, but that lay-off notices have not yet been sent.

“Closure will come after the museum’s professional staff has adequate time to ensure that collections are properly accounted for and stored. No specific date has been set for closure as details are still being worked out.”

——————-

If you are Facebook, you can stay informed here:  https://www.facebook.com/pages/Save-the-Illinois-State-Museum/917517601639564

You can sign this petition as well: Governor Rauner: Don’t Close the Illinois State Museum – MoveOn.org
http://petitions.moveon.org/sign/governor-rauner-dont.fb48

 

ISM Hot Science: The Importance of Museum Collections, Dr. Chris Widga at the IL State Museum on YouTube

 

Thank you to Chris Young at the IL Department of Natural Resources for his help and quick responses to my questions!

An enormous THANK YOU to Samantha Reif for creating the MoveOn.org petition!! 

Thank you to the American Alliance of Museums, from whom I initially heard about this through their tweet (https://twitter.com/AAMers/status/608034565085642752)!

This particular writer has gained invaluable information and help in the past from one of the museum’s paleontologists, Dr. Chris Widga, and from the informative website recently released about the Ice Age (http://iceage.museum.state.il.us/).

Tweet I love museums

(#ILoveMuseums originates from http://ilovemuseums.com, a campaign in the UK by the National Museum Directors’ Council.)

—————

References:

  1. Rauner starts budget cuts to force Dems to negotiate on his agenda, by Rick Pearson, Monique Garcia and Alejandra Cancino http://www.chicagotribune.com/news/local/politics/ct-rauner-madigan-budget-cuts-met-0603-20150602-story.html
  2. Rauner prepares to close state museums, shutter some prisons to balance ‘phony’ Democratic budget, by Becky Schlikerman: http://chicago.suntimes.com/news/7/71/656741/rauner-orders-cuts 
  3. Administration Initiates Management Steps to Prepare for Madigan-Cullerton Budget, Governor Rauner’s Office Press Release: http://www3.illinois.gov/PressReleases/ShowPressRelease.cfm?SubjectID=3&RecNum=13115
  4. Who won’t get paid if the Illinois budget stalemate drags on, by Thomas A. Corfman: http://www.chicagobusiness.com/article/20150610/NEWS02/150619982/who-wont-get-paid-if-the-illinois-budget-stalemate-drags-on
  5. Illinois State Museum closing would be devastating, advocate says, by Bernard Schoenburg: http://www.sj-r.com/article/20150610/NEWS/150619927
  6. Will The Illinois State Museum Go The Way Of The Mastodon? by Amanda Vinicky, NPR Illinois: http://wuis.org/post/will-illinois-state-museum-go-way-mastodon